Every live performance runs on a schedule. Venues, churches, schools, and event planners usually give you a fixed block of time: 30, 45, 60, or 90 minutes are the most common. If your band’s set runs too long, you risk being cut off mid-song or frustrating the sound engineer. If it runs too short, the room can feel flat and you may appear unprepared.
This setlist duration planner helps you turn a rough list of songs into a realistic show length. By entering your song lengths in minutes and choosing how many seconds you typically pause between songs, you get an estimate of your total performance time. That makes it easier to design a tight, confident set that hits your target slot without rushing or dragging.
The tool works well for:
The calculator assumes you have a list of songs and a typical gap between songs. You provide:
3, 4, 5.5, 4.25).30 seconds).Under the hood, the calculator converts each song length from minutes to seconds, adds the breaks, and then converts the total back into a readable time in minutes and seconds (and hours if needed).
Let:
First, convert each song to seconds and add them together. Then add one break for each song transition. In most real-world sets, this is n − 1 breaks, because there is no break after the last song. The total time in seconds, T, is:
Some implementations use n breaks instead of n − 1 if you want to include a pause before the first song or after the last song. As long as you are consistent, you can treat those as extra “songs” or manually add them to your planning.
Once the total number of seconds is calculated, it is converted to hours, minutes, and seconds by dividing by 3600 (seconds per hour) and 60 (seconds per minute):
After you enter your song lengths and break time, the calculator returns a total duration. You can use that number to shape your set in a practical way.
Remember that these estimates are based on your input. If you tend to speed up live or stretch out outros and jams, build in a buffer of a few extra minutes.
Imagine your band is playing a 35-minute showcase set at a local club. You have the following songs, timed roughly during rehearsal:
You plan to speak briefly between songs, so you choose a 30‑second break between each song. Enter into the calculator:
3, 4, 5, 3.5, 4.5, 6, 530The total music time is 1890 seconds (31 minutes and 30 seconds). There are 6 breaks of 30 seconds (3 minutes), giving a combined total of 2070 seconds.
2070 seconds equals 34 minutes and 30 seconds. That is a comfortable length for a 35-minute slot, leaving a small buffer for applause or slightly slower tempos on stage.
Now consider a worship team that wants a smooth, continuous 25-minute set where songs flow into one another with minimal talking. Their songs run:
The leader decides to keep gaps between songs extremely short, around 5 seconds, mainly for chord changes and transitions. Inputs:
6, 5.5, 7, 55The total music time is 23.5 minutes, or 1410 seconds. There are 3 breaks of 5 seconds (15 seconds total), so the set lasts roughly 23 minutes and 45 seconds. This easily fits inside a 25‑minute worship block, with just enough space for spontaneous moments without overrunning the service schedule.
Different types of performers use the planner in slightly different ways. The table below summarizes typical patterns.
| Use case | Typical slot length | Typical break between songs | Planning focus |
|---|---|---|---|
| Original band in a club | 30–45 minutes | 20–45 seconds | Balancing energy, leaving room for banter, not overrunning multi‑band bills. |
| Festival set | 25–60 minutes | 10–30 seconds | Hitting strict changeover times, quick transitions, minimal dead air. |
| Wedding/party band | 2–4 hours (in sets) | 0–20 seconds | Grouping danceable songs, planning breaks between long sets. |
| Worship team | 15–35 minutes | 0–10 seconds | Smooth flow, limited talking, coordinating with service elements. |
| School concert or recital | 30–90 minutes | 20–60 seconds | Staying inside the event schedule, rotating ensembles, and soloists. |
Time is only one part of a great performance. Use your results from the calculator alongside musical judgment to shape a set that feels good in the room.
You will get the best use from this planner if you gather a few details before you enter your songs:
Once you have this information, enter your song lengths in minutes, choose a realistic break time, and see how the total compares to your target slot. Tweak the list until the total duration feels safe and comfortable.
Like any simple calculator, this tool makes a few assumptions to keep the interface quick and easy to use. Being aware of them will help you interpret the results correctly.
These limitations keep the tool quick and accessible for most musicians while still giving a reliable ballpark for your show length. For highly complex productions with multiple acts, scene changes, or scripted segments, you may want to build a more detailed schedule using a spreadsheet or show-calling software, using this calculator as a starting point.
List your songs in minutes, separated by commas, and choose how many seconds you usually pause between songs. The calculator adds up all the music and breaks to give you a total duration in hours, minutes, and seconds.
Yes. Use the breaks field (in seconds) to represent average talking, tuning, and transition time between songs. If you know a specific section has a long story or prayer, you can either increase the break value or add that time to the nearest song length.
Use typical or maximum expected lengths. Many bands rehearse their set with a stopwatch to find realistic values. It is safer to plan for slightly longer times so you do not overrun your slot.
Yes. Any performance built from a series of pieces or tracks can be planned with this approach. Acoustic and worship sets often have shorter breaks, while DJs may have almost zero breaks if tracks are beat-matched.
You do not need millisecond precision. Rounding to the nearest 10–15 seconds is usually enough. The key is consistency: if you tend to stretch songs live, allow a buffer of a minute or two in your total.