Ukuleles are compact instruments, but the thickness of the strings (the gauge) has a big impact on tone, feel, and long‑term instrument health. Thicker strings create higher tension, which can increase volume and projection but also make fretting harder. Lighter gauges are easier on the fingers and can feel more responsive, yet they may sound thinner or buzz more easily if you strum aggressively.
Choosing an appropriate gauge set is about balancing comfort, sound, and safety for your ukulele. When tension is too low, the instrument may buzz, sound dull, and feel unstable under the fingers. When tension is too high, you risk stressing the neck, bridge, and top over time. This gauge selector suggests common sets that keep tension in a typical, comfortable range for most players.
String tension on any plucked instrument is influenced by three primary factors: scale length (the vibrating length of the string), the target pitch (tuning), and the string’s mass per unit length (often related to its diameter or gauge). For a given tuning and scale, increasing the string diameter increases tension; lowering the pitch or shortening the scale reduces tension.
The underlying physical relationship for a single string can be expressed in a standard tension formula. A commonly cited version is:
Where:
In a full engineering‑style calculator, you would enter scale length, tuning, and detailed string specifications to compute precise tension. However, most ukulele players simply want practical, musical guidance rather than raw physics. Because of this, this tool does not compute tension from first principles for each string. Instead, it uses real‑world gauge sets that are commonly sold for soprano, concert, tenor, and baritone ukuleles, organized by tuning, typical playing style, and material.
The result is a suggested gauge set that keeps total tension in a familiar, safe range for each size, using tunings and materials that are widely available from popular string brands. It is best understood as a reference or starting point, not as a precise mechanical specification.
The table below shows representative gauge sets frequently used by players. These values are approximate and may vary slightly by brand, construction, and material. They are presented in inches and ordered from string 1 (highest pitch) to string 4 (lowest pitch).
| Ukulele size | Tuning | Typical scale length | Recommended gauges (1st–4th) |
|---|---|---|---|
| Soprano | High G (gCEA) | ≈ 13" (330 mm) | 0.023, 0.030, 0.036, 0.025 |
| Concert | High G (gCEA) | ≈ 15" (380 mm) | 0.024, 0.032, 0.037, 0.028 |
| Tenor | Low G (GCEA) | ≈ 17" (430 mm) | 0.030, 0.036, 0.041, 0.030 |
| Baritone | DGBE | ≈ 19"–21" (480–530 mm) | 0.028, 0.034, 0.030w, 0.035w |
These sets represent what many players would consider “medium” or “standard” tension. The selector uses similar ranges and then adjusts recommendations slightly based on your chosen playing style and string material.
To get a suggestion from the tool, choose your ukulele size (soprano, concert, tenor, or baritone), the tuning you intend to use (for example high G gCEA, low G GCEA, or a D tuning), your primary playing style, and the string material you prefer. When you click the button to get a suggestion, the calculator outputs a typical gauge set for strings 1 through 4.
Use the output as a comparison point when shopping for strings. Many manufacturers publish gauges on their packaging or websites. Look for sets where the gauges are close to the suggested values and labeled for your ukulele size and tuning. It is normal for different brands to differ by a thousandth of an inch or so.
Your right‑hand technique has a strong influence on which gauges feel best. Players who strum firmly, especially in ensemble settings, often benefit from slightly heavier strings. Extra tension resists buzzing, adds headroom before the sound “breaks up,” and can produce stronger projection. The trade‑off is a stiffer feel and potentially more finger fatigue.
Fingerstyle players, on the other hand, usually prefer lighter or medium‑light gauged sets. Lower tension makes it easier to execute subtle dynamics, vibrato, and bends, and can feel more responsive to a gentle touch. However, very light sets may sound thin when heavily strummed, and they can expose setup issues such as high action or uneven frets.
If you play a mix of strumming and fingerstyle, a middle‑of‑the‑road set often works best. The selector reflects this by nudging recommendations only slightly heavier or lighter depending on the style you choose. For example, a “mostly strumming” choice would typically yield a set that is one step heavier than the default, while “fingerstyle” might tilt slightly lighter where appropriate.
Most modern ukulele strings are made from nylon, fluorocarbon, or metal‑wound composites. While gauge has a large influence on tension, material also matters for tone, feel, and durability. The same nominal gauge in two different materials can feel and sound quite different.
Nylon is the classic ukulele string material. It tends to produce a warm, rounded tone with a soft attack and a forgiving feel. Many traditional soprano and concert sets use clear or rectified nylon. Nylon stretches more than fluorocarbon when new, so it can take a bit longer to settle and hold tuning. Some players love the mellow sound; others find it slightly less bright or defined.
Fluorocarbon strings are denser than nylon, which allows manufacturers to use slightly smaller diameters for equivalent tension. This often gives a crisper, brighter tone with strong note definition and good projection, especially on soprano and concert instruments. Fluorocarbon also tends to be more stable under changes in temperature and humidity, and many players feel it stays in tune more consistently once stretched in.
Metal‑wound strings (often with a nylon or synthetic core) are most common on the lowest strings of tenor and baritone sets. Winding allows a string to reach lower pitches without becoming excessively thick and stiff. Wound strings usually sound brighter with a more “guitar‑like” attack and can add depth to low G or baritone tunings. They can, however, generate more handling noise and may wear frets slightly faster than plain nylon or fluorocarbon.
When you select a material in the calculator, the suggested gauges are biased toward sets that are commonly available in that material category for your instrument size and tuning. For example, low G tenor recommendations with “steel/wound” selected will often include a wound 3rd or 4th string, while a pure nylon or fluorocarbon choice will favor unwound low strings where practical.
The output from the selector is typically a sequence of four gauges, such as 0.024, 0.032, 0.037, 0.028. These correspond to the 1st through 4th strings of the ukulele in standard tuning order (from the string closest to the floor to the string closest to your face when playing).
Think of the gauges as a “target zone” rather than exact required numbers. If your current strings are noticeably lighter or heavier than the suggestion, you can anticipate a change in feel and tone when you switch. Moving gradually toward the recommended range instead of jumping to extremes can make the transition easier, especially on lightly built instruments.
Imagine you own a tenor ukulele that currently uses a typical high G set around 0.024–0.034–0.030–0.028 (1st to 4th). You want to experiment with low G tuning (GCEA, with a low octave G on the 4th string) for solo chord melody playing.
In the selector, you would choose:
The calculator might suggest a set like 0.030, 0.036, 0.041, 0.030w for 1st through 4th strings. Compared with your current set, the suggested strings are slightly heavier overall, especially the 4th string, which is now a wound low G. You can expect:
Armed with this information, you can look for a commercial low G tenor set with similar gauges, or assemble a custom set from single strings that match these target values.
The table below summarizes how gauge decisions tend to differ between ukulele sizes and typical playing styles. Use it as a high‑level guide alongside the more specific suggestions from the calculator.
| Ukulele size | Common tuning | Light gauges – best for | Medium / standard – best for | Heavier gauges – best for |
|---|---|---|---|---|
| Soprano | High G (gCEA) | Gentle strumming, beginners, small hands | General playing, mixed styles | Loud ensemble strumming, players with a strong attack |
| Concert | High G (gCEA) | Fingerstyle, light strumming, mellow tone seekers | Balanced use in solo and group contexts | Rhythm‑focused players needing more projection |
| Tenor | High or Low G (gCEA / GCEA) | Solo fingerstyle, expressive lead playing | Versatile mix of strumming and melody | Low G chord melody, powerful stage strumming |
| Baritone | DGBE | Soft accompaniment, guitar‑style fingerpicking | General baritone use, home practice, recording | Strong strumming, lower alternate tunings (with caution) |
Even with ideal gauges, old or poorly installed strings can make a ukulele hard to play. Many players change strings every few months, though frequency depends on how often you play, your climate, and the string material. Fluorocarbon strings often retain brightness and stability longer than nylon, while wound strings may show wear more quickly.
When installing new strings, wind them neatly around the tuning posts, avoid excessive overlapping, and gently stretch them as you bring them up to pitch. Expect to retune several times over the first few days. If you hear persistent buzzing or find the action uncomfortably high or low after a string change, a professional setup can make a big difference and may matter more than small gauge differences.
The gauge recommendations provided by this tool are intentionally simplified and based on typical real‑world use rather than exhaustive physical modeling. Keep the following assumptions and limitations in mind when interpreting the results:
By treating the output as a starting point, checking your instrument’s response, and making incremental adjustments, you can arrive at a string gauge combination that fits both your ukulele and your playing style.