An operational amplifier, or opâamp, is a highâgain electronic device with differential inputs and usually a singleâended output. When configured with external resistors in a feedback network, the opâamp implements precise mathematical operations such as amplification, integration, or filtering. This calculator focuses on the two most fundamental linear configurations: the inverting amplifier and the nonâinverting amplifier. In both cases the opâamp is assumed to be ideal, meaning it has infinite openâloop gain, infinite input impedance, zero output impedance, and a perfectly balanced input stage that drives the difference between its inputs to zero when negative feedback is applied.
Under these ideal assumptions the analysis becomes straightforward. For the inverting amplifier, the input signal is applied through resistor to the inverting terminal while the nonâinverting terminal is grounded. A feedback resistor connects the output to the inverting input. Because the opâamp strives to make the voltage difference between its inputs zero, the inverting node sits at virtual ground. The current through therefore equals , and since no current enters the opâamp input, the same current must flow through , producing an output voltage of . The closedâloop gain is thus .
In the nonâinverting configuration the input signal is applied directly to the nonâinverting terminal. A voltage divider composed of to ground and from output to the inverting input establishes feedback. The opâamp again forces its inputs to equal potential, so the inverting node adopts a fraction of the output determined by the divider. Solving for output voltage yields , and the gain magnitude becomes . Unlike the inverting mode, the output shares the same polarity as the input.
These expressions are cornerstones of analog circuit design. By choosing resistor ratios, engineers set precisely how much amplification occurs. Because only ratios matter, actual resistor values can be scaled up or down to suit impedance or noise considerations, provided the opâamp can drive the load and biases remain within supply rails. In practice designers also account for nonâideal parametersâfinite openâloop gain, input bias currents, and frequency limitationsâthat modify the ideal equations slightly. However, for lowâfrequency applications and reasonable resistor values, the ideal formulas predict behavior with excellent accuracy.
Select either the inverting or nonâinverting mode from the dropâdown menu. Enter the input voltage and the two resistor values. When you click Calculate the script determines the closedâloop gain using the formulas above, computes the output voltage, and displays both. Gain is presented as a unitless ratio as well as in decibels, computed by . The output voltage accounts for the sign of the gain: an inverting amplifier with a gain of â5 will produce an output of â5Â V when the input is +1Â V.
Because calculations happen entirely in your browser, you can experiment freely with different resistor ratios to observe how they influence amplification. Doubling while holding fixed doubles the magnitude of the inverting gain, while doubling both resistors leaves the gain unchanged. This property allows designers to minimize current draw by using large resistances or to reduce thermal noise by selecting smaller values, striking a balance based on the application.
The following table compares a few representative resistor choices and the resulting gains for each configuration, assuming a 1Â V input.
R1 (Ω) | R2 (Ω) | Inverting Gain | NonâInverting Gain |
---|---|---|---|
1k | 1k | -1 | 2 |
1k | 4.7k | -4.7 | 5.7 |
2.2k | 10k | -4.55 | 5.55 |
10k | 100k | -10 | 11 |
Notice how the nonâinverting amplifier always yields a gain at least one because the feedback network adds the input directly to the scaled portion of the output. The inverting amplifier, meanwhile, offers flexibility to generate gains less than one by choosing smaller than , acting as an attenuator with inversion.
Operational amplifiers also serve as building blocks for active filters, oscillators, and precision rectifiers. By combining capacitors with resistors, designers shape frequency responses for audio equalizers or sensor signal conditioning. Highâspeed comparators and instrumentation amplifiers extend the opâamp concept with specialized internal architectures, yet the same feedback principles apply. Understanding the simple gain relationships is therefore an essential step toward mastering more sophisticated circuits.
It is important to consider the limitations of real devices. Every opâamp saturates when the output approaches its supply rails, so large gain with high input voltage can drive the output into clipping. Moreover, finite slew rate limits how fast the output can change, causing distortion at high frequencies or large amplitude swings. Input bias currents flowing through resistors create small offset voltages that may become significant when using megaohmâlevel resistances. Designers mitigate these effects by selecting precision components, adding compensation networks, or choosing specialized amplifier types.
The ideal formulas also ignore noise, yet in practical circuits thermal noise in resistors and voltage noise from the opâamp input can degrade signal fidelity. Lower resistor values reduce Johnson noise but increase current draw; higher values save power but may pick up interference and biasâcurrent offsets. As with many engineering tradeâoffs, the optimal choice depends on the specific requirements for bandwidth, power, cost, and accuracy.
Despite these caveats, the inverting and nonâinverting configurations remain the workhorses of analog electronics education because they clearly illustrate the power of negative feedback. By wrapping a highâgain device in a feedback loop, we tame its behavior and program it through passive components. The resulting circuit amplifies predictably according to simple resistor ratios, a concept that underpins everything from audio preamplifiers to digitalâtoâanalog converters.
Experiment with the calculator to see how altering resistor ratios and input levels affects gain and output. Try swapping mode selections to observe polarity changes, or compute equivalent decibel values to connect linear ratios with logarithmic representations used in audio engineering. The simple tool thus provides a sandbox for exploring foundational ideas that continue to drive modern analog design.
Estimate overall noise figure from stage gains and noise figures using the Friis formula.
Estimate how steep a hike will feel by comparing elevation gain to distance or time. Enter trail stats to gauge difficulty.
Factor a non-negative matrix into two smaller non-negative matrices using multiplicative updates and view the reconstruction error.